LOJA ONLINE DE FOTOGRAFIA E VÍDEO

FECHADOS DIAS 29 E 30 DE MARÇO - SEXTA E SÁBADO
  1. Câmaras
  2. Médio Formato
  3. FUJIFILM GFX 50S II - Corpo

FUJIFILM GFX 50S II - Corpo

Código: 4547410452280
FUJIFILM
FUJIFILM GFX 50S II - Corpo
-1 000,00 €

2 999,00 €3 999,00 €IndisponívelEntrega prevista dia 12 abril

Principais Caracteristicas:

  • Sensor CMOS 51,4 MP 43,8 x 32,9 mm
  • Processador de imagem X-Processor 4
  • EVF OLED de 3,69 m pontos
  • LCD touchscreen inclinável de 3,2 "e 2,36 m pontos
  • Sistema AF de detecção de contraste de 117 pontos
  • ISO estendido 50-102400, fotografia a 3 fps
  • Gravação de vídeo Full HD 1080p a 30 fps
  • Gravação de Multi Aspectos
  • Modos de simulação de filme
  • Corpo em liga de magnésio vedado contra intempéries

* Preços incluem IVA à taxa (legal) em vigor

More Than Full Frame

Photography is a practice of pursuing perfection, a continual balance between searching for quality and having total control that allows for the perfect image to exist between the moments that are seen and unseen. Hold space for those moments with GFX50S II and explore a new world of creative possibilities.

Step into a New Level of Image Quality

©?Tommy Simonsen

SENSOR SIZE

43.8mm x 32.9mm

EFFECTIVE PIXELS

51.4million pixels

MOUNT

FUJIFILM G Mount

SENSOR Processor GF lens

Physically larger than full-frame sensors by approximately 1.7x, the 51.4MP large format sensor inside of GFX50S II is a specially designed CMOS Bayer array that delivers images with minimal noise and an incredibly wide dynamic range. Paired with its family of G Mount lenses, the result is a perfect marriage between the camera body and lens, leaving photographers of all levels joyful in the simplicity of easily acheiving wonderful image quality.

Room for Perfection

Not all sensors are created equal. Compared to full-frame 50MP sensors, GFX50S II’s large format 50MP sensor is uniquely different because each pixel is larger and able to collect more data per pixel comparative to full-frame sensors of the same resolution. This results a stronger signal-to-noise ratio, which surpresses noise, increases dynamic range, and produces images with more information per pixel.

©?Supalerk Narubetkraisee

It’s Not Just about Resolution

GFX50S II’s large format imaging sensor isn’t just physically larger than every full-frame sensor out there, it also has specially shaped microlenses that are small enough to leave space between the sensor’s pixels, which allows it to efficiently focus light to create images with striking detail and clarity.

©TommySimonsen

G Mount Lenses: Perfect Partners

A great sensor is only as good as the lens you put in front of it, but with the GFX50S II’s compatible G Mount lenses, there’s no need to worry. From ultra-wide-angle to telephoto, this ever-growing range of outstanding optics can resolve sensors of 100MP or more, so it meets the demands of exacting creators seeking the ultimate image quality.

Outstanding Image Quality for any Subject

Street

©Eren Sarigul

Large Format Quality Is Within Your Grasp

900g

At just 900g, GFX50S II is compact enough to bring on an adventure into the city, or out into the expanses of wild beyond. Regardless of where it goes, its ergonomic grip and intuitive controls will put the best images at the fingertips of any capable image-maker.

Raising the Bar for Image Stabilization

6.5 Stops of In-Body Image Stabilization

Up to 6.5 stops* of five-axis in-body image stabilization (IBIS) is packed into GFX50S II’s compact camera body, unlocking new levels of creativity for photographers wanting to work more freely with slower shutter speeds. Even when light levels are low and a tripod isn’t availble, steady images are on the hoirzon.

  1. Based on CIPA standard

Large Format Has Never Been This Easy

With GFX50S II, Fujifilm has made the large format experience easier and more intuitive than ever before. A PSAM dial gives access to its main exposure functions and a top-plate LCD displays key settings – even when the camera is switched off. Also, a redesigned Focus Lever and feather-touch shutter release provide finishing touches to the image-making experience. Whether you’re new to the GFX System or an existing user, there’s nothing to stand in the way of connection with your subject.

Autofocus for Every Occasion

GFX50S II can boost it’s readout speed by double when prioritizing focus. This results in faster autofocus speeds and subject acquisition and is supported even further by clever use of the camera’s in-body image stabilization unit to provide additional autofocus accuracy. Lastly, the use of advanced focus algorithms – as found in GFX100S and the latest X Series models – boost face and eye detection autofocus performance to give photographers great performance regardless of the subject.

Model name FUJIFILM GFX50S II
Lens Mount FUJIFILM G mount
Image sensor 43.8mm×32.9mm Bayer array with primary color filter
Number of effective pixels 51.4 million pixels
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 4
Storage media SD Card (-2GB) / SDHC Card (-32GB) / SDXC Card (-2TB) / UHS-I / UHS-II / Video Speed Class V90*1
File format of still image DCF Compliant with Design rule for Camera File system (DCF2.0)
JPEG Exif Ver.2.32*2
RAW 14bit RAW (RAF original format)
TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)
Number of recorded pixels [L]<4:3> 8256 x 6192 <3:2> 8256 x 5504 <16:9> 8256 x 4640 <1:1> 6192 x 6192
<65:24> 8256 x 3048 <5:4> 7744 x 6192 <7:6> 7232 x 6192
[S]<4:3> 4000×3000 <3:2> 4000×2664 <16:9> 4000×2248 <1:1> 2992×2992
<65:24> 4000×1480 <5:4> 3744×3000 <7:6> 3504×3000
Sensitivity Still Image Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)
Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400
Movie Standard Output: AUTO / ISO200~6400 (1/3 step)
Exposure control TTL 256-zone metering / Multi / Spot / Average / Center Weighted
Exposure mode P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure compensation Still -5.0EV~+5.0EV 1/3EV step
Movie -2.0EV~+2.0EV 1/3EV step
Image stabilizer Mechanism Image sensor shift mechanism with 5-axis compensation
Compensation Effect 6.5 stops
*based on CIPA standard
*Pitch/yaw shake only
*With GF63mmF2.8 R WR lens mounted
Digital Image Stabilization Yes (movie mode only)
IS MODE BOOST Yes (movie mode only)
Shutter type Focal Plane Shutter
Shutter speed Mechanical shutter P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
Electronic shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Electronic Front Curtain Shutter P mode: 4sec. to 1/4000sec. A mode: 30sec. to 1/4000sec.
S/M mode: 60min. to 1/4000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/500sec.
Electronic Front Curtain Shutter + Electronic Shutter P mode: 4sec. to 1/16000sec. A mode: 30sec. to 1/16000sec.
S/M mode: 60min. to 1/16000sec. Bulb: up to 60min.
*Electronic front curtain shutter works until 1/500sec, Mechanical shutter works until 1/4000sec.
*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Movie FHD: 1/4000sec. to 1/24 sec.
*Cannot choose slower shutter speed than framerate.
Synchronized shutter speed for flash 1/125sec. or slower
Continuous shooting CH Electronic Front Curtain Shutter Approx. 2.2fps (JPEG: Endless, Compressed RAW: Endless, Lossless compressed RAW: 35 frames, Uncompressed RAW: 10 frames)
CH Approx. 3.0fps (JPEG: Endless, Compressed RAW: 31 frames, Lossless compressed RAW: 13 frames, Uncompressed RAW: 8 frames)
*Recordable frames depends on recording media.
*Speed of continuous shooting depends on shooting environment and shooting frames.
Drive Mode AE Bracketing 2 frames / 3 frames / 5 frames / 7 frames / 9 frames
*by 1/3EV step, up to ±3EV steps
Filmsimulation bracketing Any 3 types of film simulation selectable
Dynamic Range Bracketing 100% / 200% / 400%
ISO sensitivity Bracketing ±1/3EV / ±2/3EV / ±1EV
White Balance Bracketing ±1 / ±2 / ±3
Focus Bracketing AUTO / MANUAL
Multiple Exposure Yes (Max. 9 frames) / Additive / Average / Bright / Dark
Pixel Shift Multi Shot Yes
Focus Mode Single AF / Continuous AF / MF
Type TTL Contrast AF
Low-light Performance Contrast: -3.5EV *Low light priority AF-S ON / GF80mmF1.7 attached
AF frame selection Single point AF: 13x9 / 25x17 (Changeable size of AF frame)
Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13×9 grid
Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
All: Yes
Face/eye detection Yes
Flash Sync. Mode 1st Curtain / 2nd Curtain / AUTO FP (HSS)
When SHOE MOUNT FLASH is set
TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI / OFF
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder EVF: 0.5 inch OLED Color Viewfinder, Approx. 3.69 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 23mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -4~+2m-1
Magnification: 0.77x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 38° (Horizontal angle of view: approx. 30° )
Built-In Eye Sensor
LCD monitor 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
Aspect Ratio: 4:3
Dots: Approx. 2.36 million dots
Touch Screen Mode Shooting Mode AF, Focus Area, OFF, Double Tap Setting (ON/OFF), Touch Function Setting (ON/OFF), EVF Touch Screen Area Setting
Playback Mode Swipe, Pinch-in / Pinch-out, Double-tap, Drag
Sub LCD monitor 1.80 inch Monochrome LCD Monitor
Aspect Ratio: 4:3
Dots: 303x230-dot
Movie recording File format MOV:
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
Movie compression Long GOP
File size
Frame rate
Bitrate
Recording time
[Full HD(16:9)] 1920×1080 29.97p/25p/24p/23.98p 50Mbps Up to 120min.
*For recording movies, use a SD memory card with UHS Speed Class 1 or higher.
*Recording time can become short depending on the temperature and/or shooting conditions.
Film simulation mode 19 modes (PROVIA/Standard, Velvia/Vivid, ASTIA/Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Classic Neg., Nostalgic Neg., ETERNA/Cinema, ETERNA BLEACH BYPASS, ACROS
ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia)
Monochromatic Color Yes
Grain Effect Roughness: STRONG, WEAK, OFF
Size: LARGE, SMALL
Color Chrome Effect STRONG, WEAK, OFF
Color chrome Blue STRONG, WEAK, OFF
Smooth Skin Effect STRONG, WEAK, OFF
Dynamic range setting Still AUTO / 100% / 200% / 400%
ISO restriction: DR100%: No limit, DR200%: ISO200 or more, DR400%: ISO400 or more
Movie 100% / 200% / 400%
ISO restriction: DR100%: No limit, DR200%: ISO400 or more, DR400%: ISO800 or more
White balance Auto White Priority / Auto / Ambience Priority
Custom Custom1 - 3
Color temperature selection 2500K~10000K
Preset Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting ±5 steps
Self-timer 10sec. / 2sec.
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Wireless transmitter Standard IEEE802.11b/g/n (standard wireless protocol)
Encryption WEP / WPA / WPA2 mixed mode
Access mode Infrastructure
Bluetooth® Standartd Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency (Center frequency) 2402?2480MHz
Terminal Digital interface USB Type-C (USB3.2 Gen1x1)
HDMI output HDMI Micro connector (Type D)
Others ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
Power supply NP-W235 Li-ion battery (included)
Battery life for still images*3 Normal Mode: Approx. 455 frames
*Auto power save ON
*When GF63mmF2.8 R WR is set
Actual battery life of movie capture*3 Full HD: Approx. 80min. (59.94p)
*Face detection is set to OFF
Continuance battery life of movie capture
*3
Full HD: Approx. 140min. (29.97p)
*Face detection is set to OFF
Dimensions Width: 150.0mm
Height: 104.2mm
Depth: 87.2mm
(Minimum Depth) 44.0mm
Weight including battery and SD memory card: Approx. 900g
excluding battery and SD memory card: Approx. 819g
Operation Environment Operating Temperature -10°C~+40°C
Operating Humidity 10% - 80% (no condensation)
Starting up period Approx. 0.4sec.
Accessories included Li-ion battery NP-W235
AC power adapter AC-5VJ
Plug adapter
USB cable
Shoulder strap
Body cap
Hot shoe cover
Cable protector
Owner's manual

© COLORFOTO 2024. Todos os direitos reservados