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ATOMOS Ninja V PRO KIT

Código: 0814164022514
ATOMOS
ATOMOS Ninja V PRO KIT
Ninja V (RAW over SDI Pre-Activated), AtomX SDI module, Battery eliminator, international DC power supply , DTap Cable, AtomX Sunhood, 4K Connect HDMI to USB

1 159,00 €IndisponívelEntrega prevista dia 13 dezembro

Principais Caracteristicas:

  • Atomos Ninja V 5" Recording Monitor
  • AtomX SDI Module with 2 x 12G-SDI Ports
  • Atomos Connect 4K HDMI to USB Converter
  • Pre-Activated SDI Raw Capability
  • Up to 6K Raw Recording via HDMI & SDI
  • Simultaneous 1 x HDMI & 2 x 12G-SDI Out
  • 1080p60 Streaming via Connect 4K
  • HDMI to SDI Cross Conversion
  • AtomHDR Support for Log Inputs & 3D LUTs
  • Sunshade/Battery Eliminator/D-Tap Cable

* Preços incluem IVA à taxa (legal) em vigor

Opções:

Record like a Ninja!

Record up to 4Kp60 10-bit HDR video direct from your camera's sensor, over HDMI 2.0. Store edit-ready ProRes or DNxHR on affordable SSD drives and bypass your cameras internal compression and record time limits. A tiny 1TB AtomX SSDmini will give you 2.5 hrs of 4K recording. 

The SSD ... made Mini!

The new AtomX SSDmini is a little over 1/4 inch tall and 3" long. It is also 20% shorter than traditional SSDs, yet keeps the standard SATA III connector. It is backward compatible with previous Atomos drives by adding a clever extension handle. These tiny, slimline SSDs are a true innovation and our close drive partners Angelbird, G-technology and Sony are all making custom versions for your Ninja!

Small Monitor made perfect

The stunningly bright 5.2-inch 10-bit HDR monitor has an astounding 1,000 nits of output. It’s a sleek 1” (2.5cm) aluminium body, is crafted for maximum durability, weighs in at just 11oz (320g), and attaches to any camera rig easily.

HDR/SDR perfection every time

The Ninja screen displays a stunning 10+ stops of dynamic range in realtime from Log/ PQ/HLG signals. Clearly see your images in daylight on the near edge-to-edge anti-reflection screen. The display can be calibrated for perfect color accuracy every time, with playout to HDR or SDR TV sets.

Record HDR Games

4kp60 or HDp240 Game Recording just became fun and simple from any HDMI gaming unit. Place the Ninja V in-between your unit and the TV, and record for hours to off-the-shelf SSD drives. Auto HDR flags mean perfect TV set up every time! Show off your skills or check your game development on the most stunning video recorder ever built!

AtomOS Tools and Pocket Size Playback

AtomOS gives simple tools for accurate set up and one-touch operation, ensuring a great recording every time. Of course, a recording isn't 100% complete until checked; AtomOS gives speedy playback, slow motion and frame-by-frame analysis for instant review.

Ultimate Pro-Video & Broadcast Monitor

Any production large or small needs high quality viewing. Even if you aren’t recording, the Ninja V is the best monitor available today. Audio can be input directly from the camera digitally via HDMI, or fed in analogue via a stereo 3.5mm line/mic socket – especially useful for cameras that do not have a mic input.

Edit, finish & upload on Mac & PC

The recorded Ninja files are available immediately on your Mac or PC for editing. Tag while recording on the fly for direct-to-edit look-up with up to six streams, edited directly from the SSD in Final Cut Pro X, Adobe Premiere or Avid Media Composer. Video and gaming workflows are supported for the fastest path to your audience.

Endless Open Expansion

Enhance the Ninja V through the in-built modular expansion slot. Bi-directional high speed video, audio and power are available. Expansion modules will dock onto the battery slot of the unit and offer advanced features.

Up to 6K RAW recording
via HDMI and SDI!

The Ninja V Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. Pro Kit also pushes the limits of these cameras, recording up to 6K 12-bit RAW* externally on the Ninja’s onboard SSD. Pro Kit also provides the ability to cross convert signals providing a versatile solution for monitoring and playout/review.

* with compatible cameras.

PROVEN PERFORMANCE

Everything you'd expect from Ninja V

The robust aluminium 5 monitor-recorder allows for a compact rig set-up for camera owners and operators to work with all the latest cameras. Perfect for run and gun productions, documentary filmmaking and for those close-up shots that require the camera operator to be flexible or mobile.

The Ninja V’s compact 5 1000nit screen is designed to provide a foundation for scalability and modularity. Combined with the AtomX SDI module and some serious tuning under the hood the Pro Kit provides the ability to record RAW via SDI from some of the best compact cinema cameras on the market.

No RAW, no problem. The Ninja V monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder. Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig. Pro Kit also includes a AtomX 5 Sunhood providing increased monitoring options outdoors, and reduced ambient light for when monitoring in HDR.

Everything you'd expect from Ninja V

SDI READY

Powerful & versatile I/O

Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide offboard 10-bit 422 recording in edit ready codecs or as proxy files from RED or Arri cameras allowing the file naming and timecode from the camera to also be carried via SDI to the recorded files.

And of course the Ninja V also provides support for RAW over HDMI from our evergrowing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E-2 Series, Nikon Z-Series, Lumix S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.

Camera Manufacturer Compatible cameras (RAW over SDI)

Sony

FX9 with XDCA-FX9

RAW output at up to 4k DCI p60 and 2k p180

FX6

RAW output up to 4k DCI p60

Panasonic

Varicam LT

RAW output up to 4k p60 and high frame rate up to 2k p240

EVA-1

RAW output up to 5.7k p30 and high frame rate up to 2k p240

Canon

C500mki
C300mkii

Both offering RAW up to 4k DCI and 4k UHD at up to p30

Note: Sony FS700, FS5 and FS7 are NOT supported.

The flexibility to suit
any production

In playback mode the Ninja V Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.

UNLOCK RAW

Existing Ninja V
and SDI module owners

For existing Ninja V and SDI module owners you will have the opportunity to upgrade your monitor and module with a paid upgrade of $99 to enable RAW over SDI from the selected cameras.

 

HDR / SDR

Accurate and reliable
daylight viewable HDR or SDR

With 1000nits, high pixel density the 5” screen provides clear and accurate monitoring for HDR and SDR. Using the AtomHDR engine the Ninja V provides a managed colour pipeline, matching the camera Gamma and Gamut on the input and select to view this as 709, Log with a 3DLUT or utilise the engine to accurately map the dynamic range of your camera LOG to HLG or PQ HDR standards
Whilst other monitors might boast a brightness of over 2000nits, the perceptual benefit can be limited. Simply opting for an increased backlight with no regard for the quality of the image can defeat the point in an external monitor. The Ninja V focuses on image integrity but to increase the perceived brightness in the most difficult bright conditions or to dial out ambient light to increase the view in HDR, the Pro Kit includes the AtomX 5” Sunhood. Simply clip on the mount frame and insert the hood, even leave the frame in place to provide added protection for your monitor.

Professional monitoring features

  • 1920 x 1080px

    427ppi Screen Resolution

  • Log to PQ/HLG

    Realtime HDR

  • 1000nit

    High Bright Display

  • ProRes RAW

    ProRes and Avid DNx Recording

  • Focus Peaking

  • LUTs

  • Adjustable Zebras

  • False Colour

CONVERT

HDMI-to-SDI cross conversion

Adding the SDI module to the Ninja V Platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.

POWER

Ninja V Pro Kit power options

The Pro Kit offers 3 ways to power your Ninja

  • In the Studio you can use the included DC power supply with lockable jack to connect to the Ninja V and with the international power plugs you’ll be covered wherever your work might take you.
  • On-set via the included DTap cable to connect to your choice of battery with a DTap output meaning your camera rig can run from a single power source.
  • On the move with a compact rig you also have the choice to run the Ninja directly from an optional NPF battery or any 4 cell NPF you might have in your kit bag.
PRORES RAW

The ProRes RAW Advantage

ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.

The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.

Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

What’s in the Ninja V Pro Kit box?

The Ninja V Pro Kit is a pre-assembled monitor kit which ensures you are production ready and consists of the Ninja V, AtomX SDI module, AtomX 5 Sunhood, RAW over SDI Pre-Activated and other accessories to enhance the performance of your monitor-recorder in the field.

Weight
Without batteries & media 360g / 12.7oz
With batteries & media -
Dimensions (W x H x D mm) 151 x 91.5 x 31mm
Construction Aluminium alloy chassis with ABS polycarbonate back plate
Mounting points 1/4-20 UNCscrew mount; 1x top, 1x bottom
Power
Operating power 10 - 19W
Compatible batteries NP-F series and supporting accessories
Input voltage (battery) 6.2V to 16.8V
Battery time (based on 2 x 7.4V) 5200mAh - up to 2hrs (monitor & record 4K +60p)
7800mAh - up to 3hrs (monitor & record 4K 60p)
DC In
Continuous power
* Patent pending
Continuous power with external adaptor*
Touchscreen
Size 5”
Resolution 1920 x 1080
PPI 427
Aspect ratio 16:9 native
Color Gamut REC709 HDTV
Look up table (LUT) support 3D LUT (.cube format)
Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3
Technology SuperAtom IPS panel (capacitive touch),
calibration to Rec.709 with optional calibration unit
HDR
AtomHDR Yes
Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,
Panasonic Vlog, JVC JLog, Red LogFilm, FujiFilm Flog,
Nikon N-Log
HDR Recording (Gamut) Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,
Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320
/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /
LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,
JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm
Flog, PQ10k, HLG, Nikon N-Log
HDR Monitoring (Gamma) Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Panasonic V Gamut
Arri Alexa Wide Gamut
Rec709
JVC LS300
Red DragonColor / DragonColor2 / RedColor2 /
RedColor3 / RedColor4 / RedWideGamut
HDR Monitoring (Gamut) Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out
Bit depth 10-bit (8+2 FRC)
Brightness 1000nit (+/- 10% @ center)
HDR input (PQ/HLG)
HDR output (PQ/HLG)
Yes / Yes
Yes / Yes
Video Input/Loop Out
HDMI 1 x HDMI (2.0)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422
(camera dependent)
Video Output (Play Out)
HDMI 1 x HDMI (2.0)
SDI -
Signal Uncompressed true 10-bit or 8-bit 422
(playback file dependent)
Supported Loop Out Formats
HDMI to HDMI 720p 50/60, 1080i 50/60,
1080p 24/25/30/50/60/100/120
2160p 24/25/30/50/60
SDI to SDI -
Video Signal Conversion
HDMI to SDI -
SDI to HDMI -
AtomX Expansion Port - Video, Audio & Power In/Out
Video Up to 4Kp60
Audio 12 channels digital 24-bit 96KHz
Power 5V-16.6V
Supported Codecs & Frame Rates (Record & Playback)
Video to
ProRes / DNxHR


(DNx utilizes a .MOV wrapper)
Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB
4K DCI; 24/25/30/50/60p
4K UHD; 24/25/30/50/60p
2K
1080p; 24/25/30/50/60/100^/120^
1080i; 50/60i, 720p; 50/60p
Onboard Processing
Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)
60i > 24p (3:2 pulldown)
4K UHD downscale for HD monitoring Yes - Loop-out and playback
Audio In/Out (48kHz PCM Audio)
HDMI 2 or 8ch 24-bit, camera dependent
SDI -
Audio Line in / Mic in / Headphone out 2ch 48kHz 24-bit
Headphone out 3.5mm
Remote Start/Stop
HDMI Auto HDMI Trigger
Supported Protocols - Canon, Sony, Atomos Open Standard
SDI -
Other LANC control - Slave
Playback
Playlist / Genlock / LTC Yes / - / -
CDNG (Recorded content) N/A
ProRes (Recorded content) All recorded files can playback. Playback in slow motion.
DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion.
Recording
Pre-roll record Yes (HD 8s, 4K 2s)
Custom timelapse Yes*
Meta data tagging Yes (10 tags available)
Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives
Master caddy case Master Caddy II (included)
75mm x 105mm x 12mm
Master caddy dock 2.5” SATA to USB 2.0/3.0
Supported applications Supported Applications FCPX/FCP7+ / Media Composer
5.0+ / Premiere 5.5+
EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /
Autodesk Smoke 2015
XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools
* Timelapse feature will be added to next firmware upgrade
What's In The Box
Accessories included Ninja V unit, Master Caddy II x 1,
12V-3A AC power supply, Battery Eliminator
Quick Start guide
Accessories
Optional extras Power Kit: 2 x battery,
1 x charger, 1 x power supply
Other: Atomos HDMI cable,
X-Rite i1DisplayPro calibration,
Ninja V Sunhood

Specifications:

Weight

Without batteries & media 320g / 11.28oz

With batteries & media -

With stand 6.0kg / 13.2lb

Dimensions (W x H x D mm) 151 x 91.5 x 31mm

Construction Aluminium alloy chassis with ABS polycarbonate back plate

Mounting points 1/4-20 UNCscrew mount; 1x top, 1x bottom

Power

Operating power 10 - 19W

Compatible batteries NP-F series and supporting accessories

Input voltage (battery) 6.2V to 16.8V

Battery time (based on 2 x 7.4V) 5200mAh - up to 2hrs (monitor & record 4K +60p)

7800mAh - up to 3hrs (monitor & record 4K 60p)

DC In Continuous power

* Patent pending Continuous power with external adaptor*

Touchscreen

Size 5”

Resolution 1920 x 1080

PPI 427

Aspect ratio 16:9 native

Color Gamut REC709 HDTV

Look up table (LUT) support 3D LUT (.cube format)

Anamorphic de-squeeze 2x, 1.5x, 1.33x, Panasonic 8:3

Technology SuperAtom IPS panel (capacitive touch), 

calibration to Rec.709 with optional calibration unit

HDR

AtomHDR Yes

Supported Log formats Sony SLog2 / SLog3, Canon CLog / CLog 2, Arri Log C,

Panasonic Vlog, JVC JLog, Red LogFilm

HDR Recording (Gamut) Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3,

Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320

/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /

LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog,

JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm

Flog, PQ10k, HLG

HDR Monitoring (Gamma) Sony SGamut / SGamut3 / SGamut3.cine / BT2020

Canon Cinema / DCI P3 / DCI P3+ / BT2020

Panasonic V Gamut

Arri Alexa Wide Gamut

Rec709

JVC LS300

Red DragonColor / DragonColor2 / RedColor2 /

RedColor3 / RedColor4 / RedWideGamut

HDR Monitoring (Gamut) Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 on screen Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / Arri Alexa Wide Gamut) mapping to Rec709 / BT2020 / DCI P3 on loop out

Bit depth 10-bit (8+2 FRC)

Brightness 1000nit (+/- 10% @ center)

HDR input (PQ/HLG)

HDR output (PQ/HLG) Yes / Yes

Yes / Yes

Video Input/Loop Out

HDMI 1 x HDMI (2.0)

SDI -

Signal Uncompressed true 10-bit or 8-bit 422

(camera dependent)

Video Output (Play Out)

HDMI 1 x HDMI (2.0)

SDI -

Signal Uncompressed true 10-bit or 8-bit 422

(playback file dependent)

Supported Loop Out Formats

HDMI to HDMI 720p 50/60, 1080i 50/60,

1080p 24/25/30/50/60/100/120

2160p 24/25/30/50/60

SDI to SDI -

Video Signal Conversion

HDMI to SDI -

SDI to HDMI -

AtomXpansion Video Audio Power Extender In/Out

Video Up to 4Kp60

Audio 12 channels digital 24-bit 96KHz

Power 5V-16.6V

Supported Codecs & Frame Rates (Record & Playback)

Video to

ProRes / DNxHR

(DNx utilizes a .MOV wrapper)

Apple ProRes HQ, 422, LT AVID DNxHR HQX. HQ, SQ, LB

4K DCI; 24/25/30/50/60p

4K UHD; 24/25/30/50/60p

2K

1080p; 24/25/30/50/60/100^/120^

1080i; 50/60i, 720p; 50/60p

Onboard Processing

Pulldown removal 24/25/30pSF > 24/25/30p (2:2 pulldown)

60i > 24p (3:2 pulldown)

4K UHD downscale for HD monitoring Yes - Loop-out and playback

Audio In/Out (48kHz PCM Audio)

HDMI 2 or 8ch 24-bit, camera dependent

SDI -

Audio Line in / Mic in / Headphone out 2ch 48kHz 24-bit

Headphone out 3.5mm

Built-in speakers Yes

Remote Start/Stop

HDMI Auto HDMI Trigger

Supported Protocols - Canon, Sony, Atomos Open Standard

SDI -

Other LANC control - Slave

Playback

Playlist / Genlock / LTC Yes / - / -

CDNG (Recorded content) N/A

ProRes (Recorded content) All recorded files can playback. Playback in slow motion.

DNxHR / DNxHD (recorded content) All recorded files can playback. Playback in slow motion.

Recording

Pre-roll record Yes (HD 8s, 4K 2s)

Custom timelapse Yes

Meta data tagging Yes (10 tags available)

Supported media 2.5” SSD/HDD compatibility depends on recording format, resolution and frame rate. Visit atomos.com/drives for list of tested and approved drives

Master caddy case Master Caddy II (included)

75mm x 105mm x 12mm

Master caddy dock 2.5” SATA to USB 2.0/3.0

Supported applications Supported Applications FCPX/FCP7+ / Media Composer

5.0+ / Premiere 5.5+

EDIUS 6.0+ / Vegas Pro 10+ / Lightworks /

Autodesk Smoke 2015

XML support FCPX XML native, FCPX/Adobe limited supported with 3rd party conversion tools

Accessories included Ninja V unit, Master Caddy II x 1, 

12V-3A AC power supply

Optional extras Accessory Kit: 2 x battery, 

1 x charger, 1 x power supply, EVA case, 

USB dock, control cable, Dtap cable, 

Master Caddy x 4, Power supply, Sun hood 

Power Kit: 2 x battery,

1 x charger, 1 x power supply 

Other: Atomos HDMI cable, 

X-Rite i1DisplayPro calibration

All specifications correct when published, subject to E&OE.

24/30/60 frame rates also means 23.98/29.97/59.94 frame rates for all resolution

* Available in future firmware updates

*** No HDMI spec for 2K DCI

^ From supported HDMI sources such as gaming consoles and graphics cards.

^^ Optional unit (XDCA-FS7) needed for Raw output.

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