![](https://sirui-cf.oss-us-west-1.aliyuncs.com/anamorphic/gif/75.gif)
![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648361123/wfv5oigknwmzvsr6okms.jpg)
![](https://sirui-cf.oss-us-west-1.aliyuncs.com/anamorphic/gif/g7.gif)
There’s a lot more information horizontally in close-up shots, leaving a strong visual impact on the audience.
![](https://sirui-cf.oss-us-west-1.aliyuncs.com/anamorphic/gif/g1.gif)
The common aspect ratios of most mirrorless camera sensors are 3:2 and 16:9. If you shoot in 3:2 mode, you’ll get a 2.4:1 aspect ratio. Otherwise on a 16:9 image sensor, you’ll end up with a much wider 2.8:1 aspect ratio.
![](https://sirui-cf.oss-us-west-1.aliyuncs.com/anamorphic/gif/g3.gif)
An increasing number of monitors today come with a 1.6x de-squeeze capability, which allows filmmakers to see proper images while shooting. With more brands joining the “1.6x de-squeeze” club, SIRUI full-frame lineup is seeing a brighter future ahead.
![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648361522/hmrsgybxg2wiq6dwxrxm.jpg)
You’ll have no problem getting super crisp wide-screen shots on this lens (ready for 8K shooting), with the subject being exceptionally sharp yet the background soft and natural.
Point the lens at a light source to get a horizontal blue lens flare that the anamorphic lens is famous for. The subtle and natural blue streaks stand out for adding a Sci-Fi ambiance to your shots without being too aggressive.
![](https://sirui-cf.oss-us-west-1.aliyuncs.com/anamorphic/gif/ngls.gif)
Due to the 1.6x squeeze factor, light spots in the distance are vertically stretched into pleasing oval bokeh.
![](https://sirui-cf.oss-us-west-1.aliyuncs.com/anamorphic/gif/g2.gif)
Soft and creamy background blur further separates the subject, delivering a flattering cinematic look to your shots.
![](https://sirui-cf.oss-us-west-1.aliyuncs.com/anamorphic/gif/ts.gif)
Distance is not a thing to worry about. When shooting with this lens, things in the distance seem to be zoomed in to form a close connection with the subject, offering a unique sense of compression.
![](https://sirui-cf.oss-us-west-1.aliyuncs.com/anamorphic/gif/g6.gif)
Focus breathing is well contained. You can hardly find a zooming motion to the shot while racking focus. Changing focus can be really quick and precise for this lens.
![](https://sirui-cf.oss-us-west-1.aliyuncs.com/anamorphic/gif/h.gif)
As with the 50mm lens, 75mm features a full metal body and an 82mm filter thread.
![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648361407/h1507azpq6z1ohhpnsne.jpg)
A 1/4”-20 threaded hole at the bottom provides the lens with additional support
.![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648535945/nrnagefbrca2rzdeixx3.jpg)
Focus and aperture rings are geared with the same position as the 50mm for easy lens switching
.![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648361423/ii1fz7x6yphm42pswrsg.jpg)
Both rings present moderate friction for smooth pull
.![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648361449/j6uazvkppna1lvvkszzu.jpg)
The focus ring features a dual scale with both feet and meters, so the focus puller, the shooter, and the assistant can read the value from different positions.
![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648539625/z9lgjaaj3pfrkiea00o4.jpg)
Want to have your ideas precisely conveyed to the audience? Want to have the subject and background presented more subtly? Then 50mm T2.9 plus 75mm T2.9 would be a great combination you don’t wanna miss.
![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648861726/ji0waphqkwakwy6ibiha.jpg)
Given the rise in popularity of full-frame mirrorless cameras, this lens offers four native mounts, including RF, L, E, and Z mounts, compatible with most full-frame mirrorless and cinema cameras on the market.
![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648361470/pjr7vtfam2tzezd3pvrv.jpg)
SIRUI 75mm full-frame anamorphic is designed for filmmakers with compatible mirrorless and cinema cameras, suitable for use on productions ranging from independent to studio films.
![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648375264/mz5w1oloskkayk5ulqha.jpg)
![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648539524/jqrtbgmtzc2zcbk61kkh.jpg)
![](https://c1.iggcdn.com/indiegogo-media-prod-cld/image/upload/c_limit,w_695/v1648361183/qensgpbthzbgvll4glux.jpg)
A sua abertura T2.9 produz uma profundidade de campo pouco profunda, desfocando tudo à frente ou atrás do plano focal especificamente escolhido. Esta 75mm apresenta rosca fêmea de 1/4"-20 para um suporte de lente, e os seus anéis de focagem e abertura são uniformemente dirigidos como o seu companheiro de 50mm para utilização com um sistema de controlo de focagem e lentes de seguimento.