1. Câmaras
  2. Mirrorless
  3. FUJIFILM X-T30 II (Preta) - Corpo

FUJIFILM X-T30 II (Preta) - Corpo

Código: 4547410470970
FUJIFILM X-T30 II (Preta) - Corpo

895,00 €DisponívelEntrega prevista dia 02 dezembro

Principais Caracteristicas:

  • Sensor 26,1 MP APS-C X-Trans BSI CMOS 4
  • Processador X 4 com CPU Quad
  • Vídeo DCI e UHD 4K30; F-Log Gamma
  • Visor eletrônico OLED de 2,36 m pontos
  • Ecrã táctil LCD com inclinação de 3,0 "e 1,04 m pontos
  • Foco automático de detecção de fase de 425 pontos
  • ISO 80-51200 estendido, fotografia a 30 fps
  • Bluetooth e Wi-Fi

* Preços incluem IVA à taxa (legal) em vigor


Inspired by Photographers

Every element of FUJIFILM X-T30 II has been designed with photographers in mind. From the dial-based operation, and compact, lightweight body, to the latest-generation APS-C sensor, it lights up the imagination and inspires creativity. What’s more, X-T30 II fuses cutting edge, convenient features – such as a rear touchscreen and a discreet built-in flash – with a vintage aesthetic charm to make photography a truly immersive experience.


X-Trans CMOS 4 sensor

The fourth-generation X-Trans CMOS 4 sensor sits at the heart of X-T30 II. The 26.1MP back-illuminated imaging sensor minimize noise, while also extending sensitivity to ISO160. Additionally, the unique structure of the X-Trans color filter array reduces moiré and false colors, without the need for an optical low pass filter.

X-Processor 4

The quad-core X-Processor 4 works with the X-Trans CMOS 4 sensor to provide an image processing combination that is capable of delivering various Film Simulation options, opening doors to new levels of creativity through how they each interpret colors and tones. Significant enhancements have also been made to the camera’s ability to track moving subjects, optimizing autofocus for both stills and its powerful 4K/30P video capabilities.


Perfect Color to Define
Your Photographic Style

Great images need great color and Fujifilm’s outstanding legacy in color science, perfected by combining more than 85 years of expertise and knowledge, delivers on every image that is created. Each Film Simulation produces specially formulated depth, saturation, and tonality that needs little-or-no post production work.

Film Simulation Modes

Photographers and filmmakers can enjoy the creative freedom and unique look and feel of 18 different Film Simulations on X-T30 II. Each Film Simulation is precisely engineered to reproduce colors and tones from Fujifilm’s most popular analog films and some of photography’s longest-standing photo finishing processes. With your favorite Film Simulation, you can make images or video with a consistent look, transfer them to a smartphone or computer, then immediately post to social media or a blog.

Based on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode caters for all subject types, offering a neutral color reproduction.

Based on FUJICHROME Velvia, an ultra vivid reversal film designed for professional use, this Film Simulation mode provides richer and more high-contrast colors than the PROVIA. It is a favorite of landscape photographers.


Based on FUJICHROME ASTIA, a reversal film designed for use in fashion portraits, this Film Simulation mode prioritizes soft and faithful reproduction of skin tones, while also reproducing vivid blue skies and greenery.


This Film Simulation mode is designed to reproduce a look similar to documentary magazines of the 20th century. Its low-saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.

PRO Neg.Hi

Based on PRO160NH, a color negative film for professionals, this Film Simulation mode has slightly harder tonal gradation than PRO Neg. Std. It is mainly used in portrait photography where the lighting is not easily controlled. It provides the right amount of shadow detail, even under flat lighting.

PRO Neg.Std

Based on PRO160NS, a color negative film for professionals, this Film Simulation mode has a soft tonal gradation and excellent skin tone reproduction. Ideal for portrait photography under carefully controlled lighting, the neutral tonality lends itself well to post-processing.

Classic Neg.

Based on SUPERIA, a color negative film loved by generations of photographers, this Film Simulation mode provides high-contrast tonal gradation. It adds depth and definition to colors by adjusting their shades in highlights and shadows, while reducing saturation.


Based on ETERNA, a film designed for motion pictures, this Film Simulation mode minimizes saturation to ensure none of the colors stand out. It provides an extremely soft tonal gradation in highlights, and deep shadows to prevent clipping, reproducing a cinematic look.

ETERNA Bleach Bypass

This Film Simulation mode applies a Bleach Bypass effect to the ETERNA mode. It produces a high-contrast, low-saturation look, creating a touch of depth loved by many filmmakers. Perfect for a more dramatic edit.


Based on ACROS, a monochrome film renowned for super fine grain, this Film Simulation mode delivers rich shadow details and excellent sharpness, while still adding grain at high ISOs, and recreating the stunning textural feel of monochrome.


For black & white images. Available in standard mode, or with yellow, red, or green filters, the latter will deepen the shades of gray corresponding to complementary hues in the scene. For instance, the red filter darkens blue skies.


This mode adds a warm tone across the frame for a vintage look. When applied to a retro subject, it creates a fittingly nostalgic finish.


Adjustable Settings

X-T30 II makes it easy to create your own distinctive visual style by combining Film Simulations with other effects, including film grain texture, color depth, clarity, sharpness, and highlight and shadow tones. All these adjustments are displayed live in the EVF and on the LCD touchscreen, for you to create great-looking effects and save them as presets.

Grain Effect

From a mild texture to the gritty look of a traditional high-ISO film, with X-T30 II you can easily add natural-looking grain to your photos in camera, controlling its intensity and size for perfect results.


The Clarity control lets you decide whether to recreate a scene with a crisp sharpness or a softer feel. With 11 levels of control, it’s easy to fine-tune to your personal taste and style.

Color Chrome Effect

Use X-T30 II’s Color Chrome effects to add depth, detail, and natural vividness to red, green, or yellow tones in your image where saturation is too high to achieve true gradation; or use Color Chrome FX Blue to adjust values in just the blue tones of an image. Adjust them separately in three levels to perfectly match your subject.


Best In Class

X-T30 II’s advanced autofocus uses densely arranged phase detection pixels and advanced algorithms to achieve best-in-class autofocus. Reaching blistering speeds and working across the frame, X-T30 II ensures you’re perfectly equipped to frame every opportunity.

© Chu Viet Ha

Fast and Accurate

Focusing is as little as 0.02 secs, X-T30 II offers an autofocus performance equivalent to other high-performance X Series cameras*. In addition, thanks to the combination of X-Trans CMOS 4 sensor and X-Processor 4 image processing engine, it maintains focus on fast or erratically moving subjects and will lock on to an individual’s face for portrait perfection.
* X-T4, X-Pro3

Face/Eye Detection AF

Whether you’re photographing people on the move or using a shallow depth-of-field to give your portraits a three-dimensional look, you can be confident X-T30 II will keep your subject’s face or eyes in focus thanks to Face and Eye Detection AF. These also work for for video, so X-T30 II will keep the subject sharp, while you concentrate on the story.

Tracking AF

AF speed and performance doesn’t let up when it comes to other subjects, either. X-T30 II’s AF algorithm detects shapes and colors to identify subjects, keeping them in focus with high-speed tracking performance. A half-press of the shutter button is all it takes for X-T30 II to smoothly and accurately track your subject as it moves around the frame.

Low-Light AF

X-T30 II’s Intelligent Hybrid Phase Detection autofocus system delivers sharp, clear results in very dark interiors or low-light situations. With a sensitivity down to -7EV*, autofocus can be used even in nighttime conditions, where other cameras might struggle.
*With XF50mmF1.0 R WR attached

Movie Feature

Many of today’s cameras have a 4K video output, but X-T30 II uniquely shoots footage oversampled from an original 6K signal. This means the camera delivers high-resolution footage with relatively low noise and stunning sharpness. It also supports filming in DCI format with a 17:9 aspect, for a high-quality cinematic look.
Fujifilm’s unrivalled color science benefits video, too. When creating movies, you can use any of X-T30 II’s 18 different Film Simulations to add your own distinctive look to footage, including ETERNA, the motion picture film stock used in many cinematic masterpieces.

Full HD 240p High Speed Footage

X-T30 II records Full HD high-speed movies at 240fps. Played back at normal speed, this results in smooth, high-quality footage with up to a 10x slow-motion effect.


For greater post-production flexibility, X-T30 II supports F-Log video format, which allows you to record movies with a wide dynamic range, improving detail in highlights and shadows. Using F-Log View Assist while recording also gives you a BT.709 equivalent preview on the LCD monitor, to help with visualizing what an edit could look like.


Shooting Modes to Suit Any Conditions

X-T30 II adapts to the way you want to create images. For great results with minimal hassle, AUTO offers intelligent, fully-automatic shooting. Choose Manual to take full control yourself; pick Aperture Priority for front to back sharpness, or blur backgrounds in your image; switch to Shutter Priority to emphasize movement in your subject; or set Program to leave the choice of aperture and shutter speed to the camera.
Using the latest technology, image quality in X-T30 II’s AUTO/SP mode has been taken to a new level. Landscapes are clearer and more vivid, portraits are more beautifully natural, and backlit scenes are less prone to losing details in highlights and shadows, giving stellar results straight out of the camera.


Control Mode

With its intuitive operation, X-T30 II lets you quickly switch between exposure modes, simply by setting a combination of the Shutter Speed Dial and the Aperture Ring on the lens. The Exposure Compensation Dial also allows you to adjust exposure by up to ±5 stops*.
* When using the dial at C position


X-T30 II’s enhanced AUTO mode uses the latest technology to deliver ultimate image quality. Landscapes are clearer and more vivid, portraits are beautifully natural, and backlit scenes are less prone to losing detail in highlights and shadows, giving stellar results straight out of the camera.

High-Speed Continuous Framing

Need to tackle fast-moving subjects? X-T30 II has your back. Between its 8 frames-per-second mechanical shutter, and 20 frames-per-second Electronic Shutter, keeping up with the action is well within your grasp. And if you need even more speed, the Electronic Shutter can be accelerated to 30 frames-per-second, with a slight crop to the view.

© Wladimir Simitch

Smartphone Compatibility

Install the free FUJIFILM Camera Remote App on your smartphone or tablet, and you’ll be able to send images from the camera to smart devices, control exposure settings, and remotely release the shutter. The app can also help save data by compressing images down to 3MB as they’re transferred. Pairing your camera via Bluetooth allows you to schedule image transfers from the camera to your device while it is not being used. You can also enable notifications for firmware updates, then download and install them remotely, without the need for a computer.

FUJIFILM X-T30 II (Preta) - Corpo

895,00 €


445,00 €

Poupa 149,00 €

Total: 1 191,00 €

Adicionar ao Carrinho
FUJIFILM X-T30 II + XC18-55mm

FUJIFILM X-T30 II + XC18-55mm

Mirrorless1 295,00 €Adicionar ao CarrinhoPré-Encomenda
Model Name FUJIFILM X-T30 II
Lens Mount FUJIFILM X mount
Image sensor 23.5mm x 15.6mm (APS-C) X-Trans CMOS 4 with primary color filter
Number of effective pixels 26.1 millions pixels
Sensor Cleaning System Ultra Sonic Vibration
Image Processing Engine X-Processor 4
Storage media SD Card (-2GB)
SDHC Card (-32GB)
SDXC Card (-2TB)
File format of still image DCF: Compliant with Design rule for Camera File system (DCF2.0)
JPEG: Exif Ver.2.32
RAW: 14bit RAW (RAF original format)

*Exif 2.32 is a digital camera file format that contains a variety of shooting information for optimal printing
Number of recorded pixels L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160
M: (3:2) 4416 x 2944 / (16:9) 4416x 2488 / (1:1) 2944 x 2944
S: (3:2) 3120 x 2080 / (16:9) 3120x 1760 / (1:1) 2080 x 2080
Panorama L: (vertical) 9600 x 2160 / (Horizontal) 9600 x 1440
M: (Vertical) 6400 x 2160 / (Horizontal) 6400 x 1440
Sensitivity Still Image Standard Output : AUTO1 / AUTO2 / AUTO3 / ISO160 ~12800(1/3 step)
Extended output : ISO80 / 100 / 125 / 25600 / 51200
Movie Standard Output Sensitivity : AUTO / ISO160 ~12800 (1/3 step)
Extended output sensitivity : ISO25600
Exposure control TTL 256-zone metering, Multi / Spot / Average / Center Weighted
Exposure mode P(Program AE) / A(Aperture Priority AE) / S(Shutter Speed Priority AE) / M(Manual Exposure)
Exposure compensation Still -5.0EV ~ +5.0EV 1/3EV step
Movie -2.0EV ~ +2.0EV 1/3EV step
Shutter type Focal Plane Shutter
Shutter speed Mechanical Shutter P mode: 4sec. to 1/4000sec.
A mode: 30sec. to 1/4000sec.
S/M mode: 15min. to 1/4000sec.
Bulb mode: up to 60min.
Electronic Shutter P mode: 4sec. to 1/32000sec.
A mode: 30sec. to 1/32000sec.
S/M mode: 15min. to 1/32000sec.
Bulb mode: 1sec. Fixed

*The Electronic Shutter may not be suitable for fast-moving objects or handheld shooting. Flash can not be used.
Mechanical + Electronic Shutter P mode: 4sec. to 1/32000sec.
A mode: 30sec. to 1/32000sec.
S/M mode: 15min. to 1/32000sec.
Bulb mode: up to 60min.
Continuous shooting Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 29 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames)
Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 79 frames Compressed RAW: 20 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames)
Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (JPEG: 153 frames Compressed RAW: 26 frames Lossless compression RAW¼ 18 frames Uncompressed RAW: 18 frames)
Approx. 20fps [Only electronic shutter ] (JPEG: 32 frames Compressed RAW: 17 frames Lossless compression RAW: 17 frames Uncompressed RAW: 17 frames)
Approx. 10fps [Only electronic shutter ] (JPEG: 81 frames Compressed RAW: 21 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames)
Approx. 8fps (JPEG: 105 frames Compressed RAW: 23 frames Lossless compression RAW: 18 frames Uncompressed RAW: 18 frames)
Approx. 5fps (JPEG: 458 frames Compressed RAW: 46 frames Lossless compression RAW: 24 frames Uncompressed RAW: 19 frames)
Approx. 4fps (JPEG: Endless Compressed RAW: 107 frames Lossless compression RAW: 28 frames Uncompressed RAW: 20 frames)
Approx. 3fps (JPEG: Endless Compressed RAW: 480 frames Lossless compression RAW: 34 frames Uncompressed RAW: 21 frames)
Pre-shot: Approx. 30fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 15 frames after full press, total max. 25 frames)
Pre-shot: Approx. 20fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 48 frames after full press, total max. 58 frames)
Pre-shot: Approx. 10fps [Only electronic shutter, 1.25 x Crop ] (max. 10 frames while half press, max. 110 frames after full press, total max. 120 frames)
* Recordable frames depends on recording media
* Speed of continuous shooting depends on shooting environment and shooting frames
Drive Mode AE Bracketing 2 frames
3 frames
5 frames
7 frames
9 frames
*by 1/3EV step, up to ±3EV steps
Filmsimulation bracketing Any 3 types of film simulation selectable
Dynamic Range Bracketing 100%
ISO sensitivity Bracketing ±1/3EV
White Balance Bracketing ±1
Focus Bracketing AUTO
Multiple Exposure Yes (Max. 9 frames)
800% +
Advanced filter Toy camera
Pop color
Dynamic tone
Soft focus
Partial color (Red / Orange / Yellow / Green / Blue / Purple)
Focus Mode Single AF / Continuous AF / MF
Type Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)
Low-light Performance Contrast: -4.0EV *XF50mmF1.0 attached
Phase Detection: -7.0EV *XF50mmF1.0 attached
AF frame selection Single point AF: 13x9 / 25x17 (Changeable size of AF frame)
Zone AF: 3x3 / 5x5 / 7x7 from 117 areas on 13x9 grid
Wide/Tracking AF: Yes (AF-S: Wide / AF-C: Tracking)
All: Yes
Face/eye detection Yes
Flash Built-in flash Manual pop-up flash (Super Intelligent Flash)
Guide Number: approx. 7 (ISO200Em) / approx. 5 (ISO100Em)
Effective range(ISO1600)
Sync. Mode: 1st Curtain / 2nd Curtain
Shoe mount flash Sync. Mode: 1st Curtain / 2nd Curtain / AUTO FP (HSS)
Flash Mode: TTL (TTL AUTO / STANDARD / SLOW SYNC. ) / MANUAL / MULTI *When EF-X500 is set / OFF
Hot shoe Yes (Dedicated TTL Flash compatible)
Viewfinder 0.39 inch OLED Color Viewfinder
Approx. 2.36 million dots
Coverage of Viewing Area vs. Capturing Area: Approx. 100%
Eyepoint: Approx. 17.5mm (from the Rear End of the Camera's Eyepiece)
Diopter Adjustment: -4 ~ +2m-1
Magnification: 0.62x with 50mm Lens (35mm Equivalent) at infinity and Diopter set to -1.0m-1
Diagonal Angle of View: approx. 31° (Horizontal angle of view: approx. 26° )
Built-In Eye Sensor
LCD monitor 3.0 inch Tilt-Type Touch Screen Color LCD Monitor
Aspect Ratio 3:2
Approx. 1.62 million dots
Touch Screen Mode Shooting mode Shooting / AF / Focus Area / OFF / Double Tap Setting (ON/OFF) / Touch Function Setting (ON/OFF) / EVF Touch Screen Area Setting
Playback Mode Swipe / Pinch-in / Pinch-out / Double-tap / Drag
Movie recording File format MOV: MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MP4: MPEG-4 AVC/H.264, AAC
Movie compression Long GOP
File size / Frame rate / Recording time [DCI4K(17:9) 4096 x 2160]
29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min

[4K(16:9) 3840 x 2160]
29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min

[Full HD(17:9) 2048 x 1080]
59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min.

[Full HD(16:9) 1920 x 1080]
59.94p/50p/29.97p/25p/24p/23.98p 200Mbps/100Mbps up to approx. 30min.

[Full HD(16:9) High speed rec. 1920 x 1080]
240p/200p/120p/100p 200Mbps(recording)
240p / 200p up to approx. 3min
120p / 100p up to approx. 6min.

* For recording movies, use a SD memory card with UHS Speed Class 3 or higher.
* Recording time can become short depending on the temperature and/or shooting conditions
Film simulation mode 18 modes
Classic Chrome
PRO Neg.Hi
PRO Neg.Std
Classic Neg.
ACROS + Ye Filter
ACROS + R Filter
ACROS + G Filter
Black & White
Black & White + Ye Filter
Black & White + R Filter
Black & White + G Filter
Monochromatic Color Yes
Grain Effect Roughness STRONG, WEAK, OFF
Color chrome effect STRONG, WEAK, OFF
Color chrome Blue STRONG, WEAK, OFF
Dynamic range setting Still AUTO / 100% / 200% / 400%
ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more
Movie 100% / 200% / 400%
ISO restriction DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more
White balance Auto: White Priority / Auto / Ambience Priority
Custom: Custom1 - 3
Color temperature selection: 2500K~10000K
Preset: Fine / Shade / Fluorescent Light-1 / Fluorescent Light-2 / Fluorescent Light-3 / Incandescent Light / Underwater
Clarity setting ±5 steps
Self-timer 10sec. / 2sec.
Interval timer shooting Yes (Setting : Interval, Number of shots, Starting time, Interval timer shooting exposure smoothing)
Wireless transmitter Standard: IEEE802.11b/g/n (standard wireless protocol)
Encryption: WEP/WPA/WPA2 mixed mode
Access mode: Infrastructure
Bluetooth® Standartd: Bluetooth Ver. 4.2 (Bluetooth low energy)
Operating frequency (Center frequency): 2402~2480MHz
Terminal Digital interface: USB Type-C (USB3.2 Gen1x1)
HDMI output: HDMI Micro connector (Type D)
Others: ø2.5mm, stereo mini connector (for Microphone and Remote Release) / Hot shoe
Power supply NP-W126S Li-ion battery (included)
Battery life for still images: Normal Mode Approx. 390 frames
*When XF35mmF1.4 R is set

Actual battery life of movie capture: 4K Approx. 45min. (29.97p) / Full HD Approx. 45min. (59.94p)
*Face detection is set to OFF

Continuance battery life of movie capture: 4K Approx. 60min. (29.97p) /Full HD Approx. 75min. (59.94p)
*Face detection is set to OFF
*Approximate number of frames or movie recording time that can be taken with a fully-charged based on CIPA Standard.
Dimensions Width: 118.4mm
Height: 82.8mm
Depth(Minimum Depth): 46.8mm(31.9mm)
Weight including battery and SD memory card: Approx. 378g
excluding battery and SD memory card: Approx. 329g
Operation Environment Operating Temperature: 0? ~ +40?
Operating Humidity: 10% - 80% (no condensation)
Starting up period Approx. 0.4sec.
Accessories included Li-ion battery NP-W126S / USB cable / Shoulder strap / Body cap / Owner's manual

Contacto Colorfoto+351 213 129 491 Contacto Colorfotolojaonline@colorfoto.pt

  • Livro de Reclamações
  • Multibanco
  • Mastercard
  • Visa
  • Tax Free

© Colorfoto 2021. Todos os direitos reservados